Larraín's third inside portrait of a 20th-century female icon feels more limited than "Jackie" or "Spencer," because it's more hemmed in by fate. “Maria,” Pablo Larraín’s drama about the ...
While “Maria” cleverly illustrates how Callas’ life was the stuff of opera itself (and therefore immune to the drudgeries of reason), Larraín’s freeform portrait of the diva’s final ...