The story of Moonlight invites the audience ... one can sense a precision in every shot. Laxton used Hawk V-Lite anamorphic lenses, throughout the film to help amplify the emotional state of ...

Blaschke’s work on the horror film, which has been recognized with an Oscar nomination and by the National Board Review, came with its challenges — mainly, the crossroads scene in which the carriage ...

Yeah, and the moonlight in general ... They're all triple wick, of course too. So a shot like that for film you need a very high speed lens. I think, we probably shot that at a 1.4, or even ...

Dangerous Moonlight Terence Young's screenplay glosses a lot, dialog is okay, but plot is short on action apart from a zingy air battle in last few hundred feet. The same prosaic line is taken by ...