The story of Moonlight invites the audience ... one can sense a precision in every shot. Laxton used Hawk V-Lite anamorphic lenses, throughout the film to help amplify the emotional state of ...

Yeah, and the moonlight in general ... They're all triple wick, of course too. So a shot like that for film you need a very high speed lens. I think, we probably shot that at a 1.4, or even ...

Dangerous Moonlight Terence Young's screenplay glosses a lot, dialog is okay, but plot is short on action apart from a zingy air battle in last few hundred feet. The same prosaic line is taken by ...